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Volume 30, Issue 4, 2013

Letter from the Editor
Kristine Blair

The New Workof Composing: Fusing Theory and Performance (Review)
Erin Kathleen Cahill

Embodying the Writer in the Multimodal Classroom through Disability Studies
Bess Fox

Kindle in the Writing Classroom
Phoebe Acheson, Caroline Cason Barratt, Ron Balthazor

Toward a Complexity of Online Learning: Learners in Online First-Year Writing
Merry Rendahl, Lee-Ann Kastman Breuch

Re-Inventing Digital Delivery for Multimodal Composing: A Theory and Heuristic for Composition Pedagogy
Chanon Adsanatham, Bre Garrett, Aurora Matzke

Iconographic Tracking: A Digital Research Method for Visual Rhetoric and Circulation Studies
Laurie E. Gries

Reflecting upon the Past, Sitting with the Present, and Charting our Future: Gail Hawisher and Cynthia Selfe Discuss the Community of Computers and Composition
Estee Beck

 


Computers and Composition:
An International Journal

Computers and Composition is a professional journal devoted to exploring the use of computers in composition classes, programs, and scholarly projects. It provides teachers and scholars a forum for discussing issues connected to Image of journal covercomputer use. The journal also offers information about integrating digital composing environments into writing programs on the basis of sound theoretical and pedagogical decisions and empirical evidence.

Computers and Composition welcomes articles, reviews, and letters to the editors that may be of interest to readers, including descriptions of computer-based composition and/or reading instruction, discussions of topics related to multimodal composing; explorations of controversial ethical, legal, or social issues related to the use of computers in composition programs; discussions of professional development and teacher education; explorations of tenure and promotion issues for scholars who work in electronic environments; studies of digital literacy; and discussions of how computers affect the form and content of discourse, the process by which discourse is produced, or the impact discourses have on audiences.

The print journal, Computers and Composition, has existed since 1983. The online journal, Computers and Composition Online, was established in 1996. See History of the Journal for more information.